Born in 1926 in Detroit, Robert Breer has spent fifty years building up a totally atypical body of work which plays with different genres and abolishes the notions of space and time. Starting off as a painter, he then deconstructed his neoplastic works and ended up with kinetic objects. He dealt next with the thresholds of awareness and perception, both as a sculptor and a film-maker. His films are composed of a jumble images that pass at great speed, while his Floats move almost imperceptibly, ...